{"id":47022,"date":"2019-02-22T13:16:53","date_gmt":"2019-02-22T13:16:53","guid":{"rendered":"https:\/\/essentiallypop.com\/epop\/?p=47022"},"modified":"2019-02-22T13:16:53","modified_gmt":"2019-02-22T13:16:53","slug":"feed-me-releases-album-high-street-creeps","status":"publish","type":"post","link":"https:\/\/essentiallypop.com\/epop\/2019\/02\/feed-me-releases-album-high-street-creeps\/","title":{"rendered":"Feed Me Releases Album ‘High Street Creeps’"},"content":{"rendered":"

Out\u00a0today (February 22)\u00a0on\u00a0deadmau5 label mau5trap, ‘High Street Creeps’, a namesake taken from the notorious 1980s Hertfordshire pheasant poaching ring, marks\u00a0Feed Me’s new studio album and ninth overall release on mau5trap.<\/strong><\/h4>\n

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Following 2013\u2019s\u00a0Calamari Tuesday\u00a0with a string of\u00a0Feed Me singles and EPs, as well as a debut album for his alias\u00a0Spor\u00a0in 2015, ‘High Street Creeps’ marks the producer\u2019s sophomore full length project.<\/p>\n

This album features 10 tracks that span a variety of production styles, some of which differ from what he\u2019s delivered in the past.<\/p>\n

The first single ‘Feel Love’\u00a0features the angelic voice of\u00a0Rosie Doonan\u00a0(who\u2019s performed with the likes of Peter Gabriel and Birdy), helmed by a synth lead with chopped vocals over a pulsating house kick, while its second single ‘Sleepless’, evolves as an electro banger that uses\u00a0FEED ME\u2019s hard-hitting, uniquely distinguishable sound.\u00a0\u00a0There are also vocal-fronted tracks with\u00a0Milo Greene\u2019s Graham Fink, emergingBritish indie singer\/songwriter Cheney (Theo Alteri)\u00a0and\u00a0Lindsay.<\/p>\n

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With the second album it was written all across the world, across a big expanse of time. Getting the mindset to distil it into something congruous meant a lot thought,\u201d says\u00a0Feed Me. \u201cI flew to LA with my whole setup for a while and drove around setting up and working with different vocalists and artists which was the antithesis of how I had always worked, some of it was written there, some in my studio, and some away from the box as it were, I’ve started to love making music or sketching ideas away from a screen and I wanted that reflected in there too. It spans multiple years and a big change, even building my own studio, and a big learning experience.<\/p>\n<\/blockquote>\n

Meanwhile, to support the release of ‘High Street Creeps’, look for\u00a0Feed Me to appear at\u00a0Beyond Wonderland, in Southern California on March 22.\u00a0He will then return to the US in early summer for his first \u2018Teeth\u2019 headline tour since 2013.<\/p>\n

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\u201cWe’re touring the \u2018Teeth\u2019 setup again this summer,\u201d said Feed Me.\u00a0 \u201cI think it’s probably my proudest achievement. Building my show was the ultimate way to present what I do and a creative dream, and probably also my new album. It represents me getting my lifestyle under control and combining a big array of memories and chaos into something fully structured, I feel like I can move forward with more speed now.\u201d<\/p>\n<\/blockquote>\n

Look for dates and on-sale information to be revealed in the coming weeks.<\/p>\n

Until he debuted his alias\u00a0Feed Me\u00a0in\u00a02008, Hertfordshire, England-native\u00a0Jon Gooch\u00a0was known for his\u00a0aggressive, hard-edged drum’n’bass\u00a0productions as\u00a0Spor. While\u00a0Spor\u00a0remained an ongoing outlet for\u00a0Gooch, the producer quickly gained notice for his\u00a0dubstep\/electro-house hybrids\u00a0as\u00a0Feed Me; he signed to deadmau5’s\u00a0mau5trap\u00a0label and issued ‘The Spell’ (2008) and the album ‘Feed Me’s\u00a0Big Adventure’ (2010), as well as the EPs ‘To the Stars’ (2011) and ‘Feed Me\u2019s Escape from Electric Mountain’ (2012). He also increased his profile by remixing the likes of Chase & Status (‘Let You Go’), Nero (‘Innocence’), Gorillaz (‘On Melancholy Hill’), and Robyn (‘Call Your Girlfriend’). ‘Calamari Tuesday’, his second album, was released in 2013 reaching #1 in the U.S. dance charts followed by EPs ‘A Giant Warrior Descends On Tokyo’ in 2015, ‘Feed Me’s Family Reunion’ in 2016 and ‘Feed Me\u2019s Existential Crisis’ in 2017.<\/p>\n

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For more information on\u00a0Feed Me, visit him on SoundCloud<\/a>, SottoVoce<\/a>, FeedMerch<\/a>, Twitter<\/a>, Instagram<\/a>, YouTube<\/a>, and his official website<\/a>.<\/p>\n