{"id":15191,"date":"2015-11-03T10:38:58","date_gmt":"2015-11-03T10:38:58","guid":{"rendered":"http:\/\/essentiallypop.com\/epop\/?p=15191"},"modified":"2015-11-03T10:43:24","modified_gmt":"2015-11-03T10:43:24","slug":"calling-all-astronauts-take-us-back-to-the-age-of-empire","status":"publish","type":"post","link":"https:\/\/essentiallypop.com\/epop\/2015\/11\/calling-all-astronauts-take-us-back-to-the-age-of-empire\/","title":{"rendered":"Calling All Astronauts Take us Back to the Age of ‘Empire’"},"content":{"rendered":"

\"Calling<\/h4>\n

Calling All Astronauts are a London-based, politically charged three-piece, with their ability to mix electro, rock, post-punk and even dubstep into their sound, establishing them a firm place in the alternative underground. <\/strong><\/h4>\n

Comprising David B on vocals, programming, and Keys, JJ on Guitars, and Paul “BuzzSaw” McCrudden on Bass, their new single ‘Empire’ is out on 27 November. We caught up with David.<\/strong><\/h4>\n

EP: What’s the Calling All Astronauts story? It’s an interesting name, how did that come about?<\/strong><\/p>\n

CAA: We had a band and no name. At that time NASA were recruiting astronauts, and the headline in a daily newspaper was \u201cCalling All Astronauts\u201d. I had been reading several conspiracy theories suggesting that the moon landing had been faked as the \u201cSpace Race\u201d was very integral in the cold war, and it just struck me as a good name.<\/p>\n

EP: Describe your music for anyone who’s not familiar with you.<\/strong><\/p>\n

CAA: We are a three piece based around programmed drums and keyboards, real guitars and bass, we draw on lots of musical influences, ranging from the 80\u2019s alternative scene to modern day drum and bass, everyone seems to hear something different in us, Empire has been described as sounding like Jimmy Eat World duetting with Johnny Cash, we like to reference it as Electro-Goth-Punk as we feel we are a modern day mash up of all these genres.<\/p>\n

EP: We really like ‘Empire’. Could you please talk us through it? What’s it all about, tell us about the video.<\/strong><\/p>\n

CAA: Unusually for us, ‘Empire’ is actually about love, most of our songs are socio-political, but Empire was inspired by the pains of falling in love for the first time. A girl falls in love and plans to run away with her true love, and is left staring at the wall waiting for her phone to ring and her lover goes AWOL, she thinks she\u2019ll never fall in love again, but time is a great healer.<\/p>\n

EP: You’re quite frank in your tweets. There’s a school of thought which says that artists should maintain a public and private face. What are your thoughts on that? Do you show the real you on social media?<\/strong><\/p>\n

CAA: That\u2019s the punk ethic that runs through my veins, if I think something is crap or overhyped, I\u2019m not afraid to say it, too many people keep quiet for fear of not fitting it with their peers, we have a lot of young followers on Twitter from many fandoms, and I hope that I can give them confidence to speak out and not be fooled by the Emperor\u2019s New Clothes style brainwashing that is rife in the media currently. If you don\u2019t like something, put your hand up!<\/p>\n

EP: What’s your take on the current state of the music industry?<\/strong><\/p>\n

CAA: It has gone back to the mid 70\u2019s before the advent of punk, the charts and the radio are packed to the gills with manufactured pop that offers very little creatively, but makes money by the bucket load for the few, the time is rife for a new subculture led musical revolution, let\u2019s hope Electro-Goth-Punk is that subculture hahahaha.<\/p>\n

EP: Do you have any advice for people wanting to get into the music industry?<\/strong><\/p>\n

CAA: Simple, don\u2019t believe the hype, if you are entering the music industry to become a millionaire, go and work in an investment bank, you have very little chance of ever making any money out of music. Despite what you read about DIY acts making it because of the internet, it\u2019s really not the case. Yes it\u2019s easier now than ever before to release a record, but because of that, there is no quality control, so every blog, magazine, radio station, is inundated with DIY artists filling their inboxes with garbage. The one major tip I can share is, your demo, NEVER send a cover version, NEVER send a song that hasn\u2019t been recorded to the highest level, forget t-shirts and buying a van, spend your money on recording, don\u2019t have a one minute intro or the A&R man will never hear your vocals, you\u2019ve got 5 and 30 seconds to impress, use that time wisely. Also NEVER use expletives in a demo or the \u201cN\u201d word.<\/p>\n

EP: You have a record label. Any artists we should be looking out for right now? Why?<\/strong><\/p>\n

CAA: We have a great EP coming out in December by a Manchester based dance collective called The Beat Corporation, their ‘Slaving For The System’<\/a> EP is picking up a lot of support at radio and it has a great video. We have also just signed a multi-instrumentalist called Franco & The Dreadnought, we met him in LA in April, then again at MIDEM, he has been co-writing with Roxy Seeman who has written for The Jacksons, Sisters Of Mercy and Earth Wind & Fire, as a precursor to his EP we have a free download available right now ‘Like Yeah No I Don\u2019t Know<\/a>‘, I have a feeling Franco is destined for great things. If you like massive blues voices, check out Aussie Mike Elrington, he plays 250 shows a year and is getting a lot of radio play in the U.S. right now.<\/p>\n

EP: If you could do it all over again, what would you do differently, and why?<\/strong><\/p>\n

CAA: I have few regrets, maybe I\u2019m the reincarnation of Edith Piaf! When we started we had a drummer, if we had gone straight to programming the drums we would have recorded our third album by now, rather than being about to release our second, other than that, I\u2019m perfectly happy with life in CAA world, we have total artistic control and are proud of what we write.<\/p>\n

EP: What question do you wish someone would ask you in an interview, but nobody ever does?<\/strong><\/p>\n

CAA: I\u2019ve thought quite a bit about this, and it\u2019s quite boring really but nobody has ever asked if we\u2019d like a Major label deal, and the honest answer is no, of course I\u2019d love to have the marketing money that major label artists have, but as we do everything ourselves, we gain great satisfaction from knowing that whenever a DJ plays us, or a magazine writes about us it\u2019s because they actually like what we are doing, and not because we have a heavyweight machine trading off on our behalf.<\/p>\n

Find Calling All Astronauts online on Twitter, Facebook<\/a>, Soundcloud<\/a>, Myspace<\/a>, Reverbnation<\/a>, Youtube <\/a>and their website<\/a>. Buy ‘Empire’ from iTunes<\/a>.<\/em><\/strong><\/p>\n

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